From the album Siren (1975).
Category: Music
Tony Banks: Siren
from Six Pieces for Orchestra
The City of Prague Philharmonic Orchestra, Paul Englishby
Banks now – beginning with the suite for orchestra called Seven (2004) – does what I have suggested progressive rock should do: he transcends progressive rock. But he does it by simply beginning to write in a different genre altogether, another existing genre. What I suggested, more precisely, was, as it were, rather that progressive rock itself progress beyond progressive rock, i.e., beyond its remaining rock elements, into a new genre that is a further development of progressive rock. But Banks’s orchestral work is interesting in its own right, and although it is not this new genre, it could certainly contribute indirectly to its development.
In Classic FM’s introduction here there is, again, the irritating use of the term “classical”, which seems to be interchangeable with “classic” in this context and is equally misleading. Banks is rightly uncomfortable with it in this interview.
Led Zeppelin: Kashmir
From their album Physical Graffiti (1975).
Mireille Mathieu: Mille colombes
Enrico Caruso: Santa Lucia
1916
Yes: Heart of the Sunrise
Live version from the album Yessongs (1973).
Pink Floyd: Shine On You Crazy Diamond
Elton John: Madman Across the Water
Live 1972. From the album Madman Across the Water (1971).
Luisa Francesconi: Nacqui all’affanno…Non più mesta
2007
Beethoven: Romanze für Violine und Orchester, Nr 1, G-Dur, op. 40
Renaud Capuçon, Violine; Gewandhausorchester Leipzig, Kurt Masur