Archive for the 'Arts' Category

Genesis: Supper’s Ready

From their album Foxtrot (1972); Supper’s Ready.

This is considered by many of the best prog connoisseurs to be the greatest of all prog songs. The reason why I do not agree really has little to do with the qualities of the song itself, in its own category, and almost only with the very special factors that place Yes in a category of their own. That category is such that comparison with Genesis, beyond noting the general categorial differences, is seldom meaningful.

On my analysis, i.e., primarily in terms of the direction in which Yes were moving, nothing comes even close to what the philosopher and critic Bill Martin, the author of the best book on Yes, calls their “main sequence” of albums in the 1970s. Yes must simply be left out of most comparative discussions. But Genesis, in their corresponding main sequence, are clearly the second greatest prog band. And it must be said that Supper’s Ready has some of the structure of a major Yes song, in fact even the hymnic quality in the concluding section. If, despite what I just said, anything does come close to Yes, it is this. There is some considerable distance to the rest of the great prog bands, which, among themselves, are not so easily ranked.

Ranking of this kind does have a place in criticism, if done in a careful and serious way, but must never be exaggerated, never downplay uniqueness and a plurality that makes hierarchization irrelevant, and it must also avoid undue generalization of the kind that obscures the fact that individual songs of these last mentioned bands are sometimes on the same level as Genesis.

It seems to me we still await the further development of the genre of progressive rock, beyond what was achieved by these bands in the 70s – the further development, the further progression, which is what I am primarily interested in, because of the enormous artistic potential that has, in principle, already been revealed. Prog has of course developed, in a sense, but not, in my view, in the direction I always hoped for, i.e. further beyond rock, away from rock. Instead, there have in some cases been admixtures with the new problematic form of rock called “metal”. But I am not familiar with everything that has happened in prog in recent decades, and it is possible that I have missed things that match the criteria I have suggested.

Ture Ryberg: Södra Ängby skola, Stockholm

På bilden syns, tror jag, enbart originaldelar från 1946.

Ryberg

Yuri Pimenov: New Moscow

Pimenov

Calle de Alcalá, Madrid

Calle de Alcalá 2

Adolf von Hildebrand & Erwin Kurz: Wittelsbacher-Brunnen, München

Hildebrand

Roxy Music: Triptych

From their album Country Life (1974).

Nicolas-Guy Brenet: Apollon couronnant les arts

Brenet

Faustina Minor

Faustina Minor

François Boucher: Moulin à Charenton

Boucher

Jacopo Sansovino: La loggetta, Venezia

Sansovino

Boulevard des Capucines, Paris

Boulevard des Capucines

Antoine Coypel: Eliézer et Rébecca

Coypel

Odenplan

Odenplan

Radiohead: Lucky

From their album OK Computer (1997).

Vinnie Ream

Ream

Valhallavägen

Valhallavägen

Tito Schipa: Cercherò lontana terra

1932

Joseph Poelaert: Palais de Justice, Bruxelles

OLYMPUS DIGITAL CAMERA

Guillaume Seignac: Psyché

Alexey Shchusev: Marx-Engels-Lenin Institute, Tbilisi

Shchusev

Joseph Rhodes: Leeds from the Meadows

LMG100055

10cc: Wall Street Shuffle

Live 1974. From their album Sheet Music (1974).

Royal Avenue, Belfast

Belfast

Audience: The House on the Hill

The title track of their 1971 album.

William Orpen: Mona Dunn

Orpen


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