Essays in Defense of the Humanities
National Humanities Institute, 1986 (1908) Amazon.com
Publisher’s Description:
In publishing this new edition of Irving Babbitt’s Literature and the American College, with a new exclusive introduction by Russell Kirk, the National Humanities Institute addresses one of the most significant questions of this or any age: the role of education.
While it would be unwise to prescribe a rigid, centralized curriculum for America’s schools, equally dangerous is the tendency, quite prevalent in recent years, to move away rom any common body of educational content, any coherence of educational purpose. What is needed, according to Babbitt, are standards of selection that can be used in developing curricula so that those things that are truly important to all Americans – as persons and citizens – are included. From such standards will emerge a common body of educational content that embodies the best that the long history and tradition of mankind has to offer.
Though first published in 1908, the insights in Literature and the American College are in many ways more pertinent now than in Babbitt’s own time. Drawing strength from some of civilization’s oldest traditions, the book defines and defends the classical discipline of humanitas as an answer to the erosion of ethical and cultural standards brought on by scientific naturalism and sentimental humanitarianism. The development of intellect and moral character are intimately related, Babbitt emphasizes. Far more than by abstract argument, man learns by example and by concrete action or experience. The quality of a society largely depends on the quality of the examples it chooses to follow. It is beter to follow the “wisdom of the ages” than the “wisdom of the hour”. Questions regarding reality are best answered by those who have let their own experience be enriched, ordered and interpreted by that sense of the universal that emerges from the human heritage of literature, art, and tradition.
Prevalent trends in American education tend to associate the ethical life with sentimental sympathy and unrestrained impulse. By contrast, Babbitt holds, a proper understanding of history and the classics leads to a quite opposite concept of morality: one based on restraint and self-discipline, “a sense of proportion and pervading law”.
Irving Babbitt (1865-1933) joined the Harvard faculty in 1894. Though formally a professor of French and comparative literature, Babbitt’s concern with the perennial issues of human existence caused his writings to range far beyond literature to politics, education, philosophy and religion. Renowned throughout the world as an American literary scholar and cultural thinker of unusual intellect, learing and insight, Babbitt was the leading figure in the movement called American Humanism, or the New Humanism, which for more than two decades provided the focal point for one of the most hotly contested debates ever to rock the American literary and academic world. Agaist those who espoused an easy yielding to feeling, impulse and unrestrained imagination, Babbitt was an advocate of a transcendent moral order and of such traditional virtues as moderation and decorum.
Literature and the American College was his first book. Among his other books were The New Laokoon (1910), The Masters of Modern French Criticism (1912), Rousseau and Romanticism (1919), and Democracy and Leadership (1924).
From Russell Kirk’s Introduction:
“Babbitt’s educational insights, eight decades after Literature and the American College first was published, in some ways seem more pertinent to our own time than to his. For the subtitle of Babbitt’s first book is Essays in Defense of the Humanities; and in these closing years of the twentieth cetury, humane studies have a hearing once more. Why are the humane disciplines important to the person and the republic? What is this ‘humanism’ and how is it related to humanitarianism? Does literature have an ethical function, so to form good character among the rising generation? Is the literary discipline meant to support a moral order? Are there perils in academic specialization?j How is continuity of culture maintained? Is it possible for humane studies to provide in public schools a satisfactory alternative to either dogmatic religious instruction or to the civil religion of ‘secular humanism’? Literary studies neglected, does there remain any cement to make a curriculum cohere? What should a tolerable literary curriculum provide? All these are some of the questions being asked nowadays about the humanities. Babbitt’s forceful little book is concerned with just such difficulties and aspirations.”
Review:
Der größte Bildhauer des Klassizismus, Antonio Canova (1757-1822), wurde in der Zeit um 1800 vor allem für seine Skulpturen mythologischer Thematik bewundert, die exemplarisch die Wandlungen im Mythenverständnis der Epoche erkennen lassen. Die Publikation zeichnet das dichte Spannungsfeld zwischen der Mythenüberlieferung in der klassischen Literatur, der literarischen Neugestaltung in Canovas Zeit und der Tradition der bildkünstlerischen Gestaltung nach. Die von Canova als Denkform begriffenen antiken Mythen dienten ihm dazu, neue Themen für die bildende Kunst zu erschließen, die mitunter bereits auf die Moderne vorausweisen. Diese Wandlungen im Kanon der Bildthemen an der Schwelle vom 18. zum 19. Jahrhundert entsprangen aus genau präzisierbaren Intentionen und intellektuellen Kontakten, die hier erstmalig umfassend anhand der zahlreichen erhaltenen Briefe Canovas rekonstruiert werden. Dadurch entsteht ein neues Bild des Bildhauers als Intellektuellem mit weitverzweigten, gesamteuropäischen Kontakten zu den bedeutendsten Schriftstellern, Künstlern und Archäologen seiner Zeit. Ausgehend von den venezianischen Frühwerken wird vor allem Canovas Schaffen in Rom in den achtziger und neunziger Jahren des 18. Jahrhunderts beleuchtet, für das eine besonders intensive Auseinandersetzung mit der Mythologie kennzeichnend ist. Die Arbeit schließt mit den Werken für Napoleon und die Napoleoniden, an die sich ein deutlich konventionelleres Mythologieverständnis knüpft.
President Woodrow Wilson famously rallied the United States to enter World War I by saying the nation had a duty to make “the world safe for democracy.” But as historian Jim Powell demonstrates in this shocking reappraisal, Wilson actually made a horrible blunder by committing the United States to fight. Far from making the world safe for democracy, America’s entry into the war opened the door to murderous tyrants and Communist rulers. No other president has had a hand – however unintentional – in so much destruction. That’s why, Powell declares, “Wilson surely ranks as the worst president in American history.”
