Princeton University Press, 2006 (2004)
Winner of the 2005 National Jewish Book Award, Ronald S. Lauder Award in Eastern European Studies, Jewish Book Council
Winner of the 2005 Wayne S. Vucinich Book Prize, American Association for the Advancement of Slavic Studies
Winner of the 2004 Award for Best Professional/Scholarly Book in Religion, Association of American Publishers
This masterwork of interpretative history begins with a bold declaration: The Modern Age is the Jewish Age – and we are all, to varying degrees, Jews.
The assertion is, of course, metaphorical. But it underscores Yuri Slezkine’s provocative thesis. Not only have Jews adapted better than many other groups to living in the modern world, they have become the premiere symbol and standard of modern life everywhere.
Slezkine argues that the Jews were, in effect, among the world’s first free agents. They traditionally belonged to a social and anthropological category known as “service nomads”, an outsider group specializing in the delivery of goods and services. Their role, Slezkine argues, was part of a broader division of human labor between what he calls Mercurians – entrepreneurial minorities – and Apollonians – food-producing majorities.
Since the dawning of the Modern Age, Mercurians have taken center stage. In fact, Slezkine argues, modernity is all about Apollonians becoming Mercurians – urban, mobile, literate, articulate, intellectually intricate, physically fastidious, and occupationally flexible. Since no group has been more adept at Mercurianism than the Jews, he contends, these exemplary ancients are now model moderns.
The book concentrates on the drama of the Russian Jews, including émigrés and their offspring in America, Palestine, and the Soviet Union. But Slezkine has as much to say about the many faces of modernity – nationalism, socialism, capitalism, and liberalism – as he does about Jewry. Marxism and Freudianism, for example, sprang largely from the Jewish predicament, Slezkine notes, and both Soviet Bolshevism and American liberalism were affected in fundamental ways by the Jewish exodus from the Pale of Settlement.
Rich in its insight, sweeping in its chronology, and fearless in its analysis, this sure-to-be-controversial work is an important contribution not only to Jewish and Russian history but to the history of Europe and America as well.
Table of Contents:
Preface
Acknowledgments
Introduction
1 Mercury’s Sandals: The Jews and Other Nomads
2 Swann’s Nose: The Jews and Other Moderns
3 Babel’s First Love: The Jews and the Russian Revolution
4 Hodl’s Choice: The Jews and Three Promised Lands
Notes
Index
Reviews:
“One of the most innovative and intellectually stimulating books in Jewish studies in years… [An] idiosyncratic, fascinating and at times marvelously infuriating study of the evolution of Jewish cultural and political sensibility in the 20th century… Nearly every page of Slezkine’s exegesis presents fascinating arguments or facts.” Publishers Weekly
“Jews are not unique, [Yuri Slezkine] maintains in his fascinating new study, and it is only European provincialism that makes them seem that way… Slezkine’s interpretation of Jewish history…is wonderfully antiparochial not only vis-à-vis the Jews but vis-à-vis America, which, he reminds us, not everyone saw as a promised land and which large portions of the huddled masses struggled to avoid.” Daniel Lazare, The Nation
“To come across a daring, original, sweeping work of history in this age of narrow specialization is not just a welcome event; it is almost a sensation.” Walter Laqueur, Los Angeles Times
“If Osama Bin Laden ever reads this book, he will be spinning in his cave.” Gene Sosin, The New Leader
“For Slezkine, Jews, urban, mobile, literate, flexible, have been role models of adaptability in a changing modern landscape.” Joel Yanofsky, National Post
“Brilliant… The Jewish Century is history on a majestic scale… [It] is fresh, compelling and frequently startling… The clarity of analysis is extraordinary, and the relatively simple conceptual tools Slezkine provides are unexpectedly powerful.” Noah Efron, Jerusalem Report
“This book is witty, sardonic and clever, written with zest and brilliant imagination and presents us with remarkable images of our recent past.” John Levi, Australian Jewish News
Yuri Slezkine’s The Jewish Century defies standard categorization, and this makes it a masterly work of history.” Marc Dollinger, Journal of American History
“[T]his is a brilliant book – it is extremely well written… Slezkine’s book joins a very small number of first-rate studies of the modernization of the ‘Jews’ seen through the lens of eastern rather than western history… Buy the book; read the book; use the book in Russian history and Jewish culture classes.” Sander L. Gilman, Slavic Review
“The Jewish Century revives, with intellectual sophistication and stylistic verve, an old perception of the Jew’s centrality to modernity.” Hillel Halkin, Commentary
“Reading Yuri Slezkine’s scholarly arguments…may make for difficult reading but it also provides intriguing ventures into highly original thinking.” Jewish Book World
“Yuri Slezkine’s work…is a serious scholarly study of East European Jewry in the modern age, but dressed up in an eccentric and nonconventional style… [An] immensely entertaining and diputatious book… It is a work which will simultaneously inform, irritate, and entertain any reader with an interest in Russian, the Soviet, or modern Jewish history.” John D. Klier, Russian Review
“This brilliant essay may significantly alter how we think about twentieth-century history… The part that the Jews played in Soviet Russia, or, perhaps better, the part that Soviet Russia played in the cultural imagination of the Jews, lies at the heart of the book.” Angus Walker, Central Europe
“Yuri Slezkine has written an extraordinary book with continual surprises. A landmark work.” Ronald Suny, University of Chicago
“I can think of few works that match the conceptual range, polemical sharpness, and sheer élan of The Jewish Century. An extraordinary book: analytically acute, lyrical, witty, and disturbing all at once.” Benjamin Nathans, author of Beyond the Pale: The Jewish Encounter with Late Imperial Russia
“Yuri Slezkine’s book is at the same time very personal and very erudite. A blend of political and cultural history at its best, it is a splendid work, beautifully written. A true accomplishment by a master historian.” Jan T. Gross, author of Neighbors
“Once every few decades, a book forces a reevaluation of basic assumptions in a field. Yuri Slezkine’s passionate and brilliant tour de force not only challenges received wisdom about Russian and Soviet Jews, but just as provocatively overturns the uniqueness that many ascribe to Jewish history altogether. The Jewish Century is a work sure to spark heated debate not only about the Jews, but also about what it means to be modern.” David Biale, editor, Cultures of the Jews: A New History
“The Jewish Century is an extraordinarily stimulating and ambitious piece of work that invites debate and controversy. Slezkine’s account is subtle, beautifully written, and very moving; it combines humor, irony, and understated passion.” Tim McDaniel, author of The Agony of the Russian Idea
“This is a strong, well-documented, passionately argued, original, and bold essay on history, or the ideology of history, in what I called ‘a Jewish century’ (see my Language in Time of Revolution). One wants to argue with the author on many pages of the manuscript, but it is such a powerful, sweeping statement that it must be left whole and intact, as a central position in future arguments on modernity, the twentieth century, and the history of the Jews.” Benjamin Harshav, Yale University
About the Author:
Wikipedia
Das in fünf Auflagen erschienene bio-bibliographische Handbuch Armin Mohlers ist längst ein Klassiker und unverzichtbares Hilfsmittel für jeden, der sich mit der Geschichte der rechten und konservativen geistesgeschichtlichen Strömungen während der Weimarer Republik beschäftigt.
Vitterhetsakademiens skriftserie om Europa vill bidra med kunskap om bakgrunden till de integreringssträvanden och de nya konflikthot som präglar den senaste politiska utvecklingen i Europa. Akademien som företräder humanvetenskaperna i vid mening i vårt land vill med denna serie ställa sina ledamöters och andra ledande forskares kunskaper om Europas kultur, historiska utveckling, språkliga mångfald och samhälleliga struktur till allmänhetens förfogande. Akademiens roll är i sammanhanget just förmedlande. För skrifternas sakliga innehåll och värderingar svarar givetvis de enskilda författarna själva. Det är redaktionens strävan att serien i sin helhet på ett så allsidigt och tankeväckande sätt som möjligt skall bidra till belysningen av Sveriges nutida och framtida roll i ett Europa som är både traditionsrikt och statt i snabb omvandling.
Den brittiske juristen, politikern och litteratören Edmund Burke (1729−1797) är känd som ”konservatismens fader” och som förespråkare för det gamla samhället och dess eliter. Han författade inflytelserika skrifter och höll känslostarka och uppmärksammade tal inom estetik och politisk idédebatt. Den franska revolutionen samt Irlands, de amerikanska koloniernas och Indiens situationer engagerade honom särskilt.
“This book is of dramatic significance on two levels: it represents an incisive analysis of one of the most critical periods in the unfolding of Western European consciousness, and it provides illuminating insights into the developing perspective of a man who by any criteria is one of the leading philosophers and political theorists of the 20th century.
Ett av de centrala honnörsorden i den västerländska traditionen är humanism. Men vad betyder det egentligen? Sedan 1800-talets början har humanismens problematik varit ständigt aktuell. Man har frågat sig hur humanismen förhåller sig till den moderna utvecklingen, om det går att förena humanism och religion och om humanismen kan existera utan en klassisk bildning. Det hävdas också ofta att humanismen befinner sig i kris, men vilket är då ursprunget till denna kris? Finns det ett samband mellan humanismens kris och en kris för bildningen?
Jan Olof Bengtsson 