Redan på Platons tid, ja i hög grad på Homeros’, hade man slutat uppfatta myterna som bokstavligen sanna. Med tiden blev de bara “motiv” i största allmänhet, som bara var sådana att man använde dem i måleriet, utan någon särskild innebörd.
Roxy Music: A Song for Europe
Live at the Rainbow Theatre, 1974. From the album Stranded (1973).
Empire of Idealism conference, Prato, Italy

At the Empire of Idealism conference, organized by the R.G. Collingwood Society, in Prato, Italy, immediately after the ISKCON Studies conference outside Florence, I presented in broad outline my defence of ‘Idealism as Alternative Modernity’, or rather, of a few general aspects of it. With no parallel sessions, the presentations at this conference had to be very short; when I sent my abstract, I didn’t know I had only twenty minutes + ten minutes for questions and discussion; when I learnt this, I had to write another paper than the one I had originally planned. But it seems I managed to communicate some of my main points. Many of the scholars attending I knew well from other idealism conferences over the years. The organizers’ emphasis on Collingwood probably explains why some were missing this time, though (Phillip Ferreira, James Allard, and Leslie Armour, for instance). Although the Collingwoodians have broadened their meetings to include earlier idealism, or, I should say, idealism proper, and the theme of this conference was the spread, and variations, of idealism throughout the British empire, there were still many more specialized Collingwood papers here than at the more general idealism meetings. Prato was chosen because of the Australian Monash University Centre there, the organizers coming from Australia; but we only met at this centre for a drinks reception – the sessions were held in the beautiful Palazzo Datini. Everything, including hotels and restaurants, was conveniently within walking distance inside the walls of Prato’s medieval historic centre.
http://www.cardiff.ac.uk/euros/research/researchcentres/collingwood/newsevents/
conference-2010.html
Amelita Galli-Curci: Caro Nome
From Verdi’s Rigoletto.
1917
1927
Giuseppe Sacconi

Giuseppe Sacconi: Il Vittoriano

Raffaello Sanzio: La Velata

Milano Centrale
François Boucher: L’enlèvement d’Europe
debitae nymphis opifex coronae
nocte sublustri nihil astra praeter
vidit et undas.
…
Uxor invicti Iovis esse nescis.
Mitte singultus, bene ferre magnam
disce fortunam; tua sectus orbis
nomina ducet.

Anselm of Canterbury


